Literary Tips: Weaving Plot, Character, and Setting
If you’re like me and you’ve written your novel, you know who your characters are, what the conflict is, and where everything takes place. But that’s probably because you’ve spent so much time thinking about them. You know your protagonist’s quirks. You know the name of the taxi driver in chapter 7. You know tons of little details about your world and its weather. You’re fathoms deep in your story, and we often scale back on the details we write while drafting to avoid over-exposition.
But have you, also like me, overlooked why you need to weave the characters, plot, and setting together?
Let’s take a step out of stories and look at the real world. We live in places and have experiences that impact who we are. If you grew up where I did, you’d know a bit of French and read it on all your product packaging. If you grew up with my life, you’d have experiences that changed you and your behaviour.
In real life, and as it should be in stories, people can’t be separated from their surroundings and their struggles.
Whether or not your story revolves around character or conflict, the three main aspects of your story (except theme, but that’s a post for another day) are character, setting, and plot. Your story will improve if you can weave them together.
Weaving these three together means thinking about how they interact with one another. There is a push and a pull between them all. They need to work harmoniously. Doing so will create a strong net that will catch your story. You’ll have fewer plot holes if you can justify why problems happen to your character in the setting, and how all three play with each other.
Here are some questions to help you figure out if you’re weaving the plot, character, and setting. These questions are intended to be asked for a scene or chapter, but are also incredibly useful with the broad-spectrum view of your story.
- How does your character act in the setting?
- How does setting impact your character?
- Why does the conflict take place in this setting?
- Why does your character stay in or leave the setting?
- What will the plot and conflict change about your character?
- What can your character do to influence the conflict and plot?
If you can’t remember the specific questions or want a simpler way to remember them, there are three question words to ask about your character/conflict/setting pairings: how, what, and why. How do the two aspects work together? What do they do to each other? Why are they together?
Weaving together the three main aspects of your writing will make your writing feel more connected. You won’t feel like your characters are placed in a random location and have things happening to them. When you weave the people in with the places and plot, you justify what happens to whom, wherever they are.
For your convenience, I’ve also made a simplified triangular relationship chart for this concept!